Geese — Postcards from the Underground

Brooklyn 5-piece Geese share details of their sophomore album 3D Country due 23rd June 23, via Partisan Records/Play It Again Sam and share the albums title track .

Following previous single Cowboy Nudes, 3D Country is the second track to be lifted from the forthcoming album. Discussing the Track Geese frontman Cameron Winter comments: "The lyrics are this story I had about a cowboy who does psychedelics in the wild west and fries his brain forever. I was imagining at first he’s this stoic, masculine character like out of a Cormac McCarthy novel, but then he unravels and sees his past lives in Ancient Rome, the Great Wall of China. Ultimately he finds himself in the end and it turns celebratory. I liked the idea of contrasting this strait-laced individual with that super mind-bending, interdimensional experience.

Similarly, the music is an amalgam of a lot of different country licks, a gospel-ish call-and-response part, things we typically wouldn’t do, but we wanted to push them through this textured, strange, psychedelic lens. We kept jamming around this one groove that’s in the verse for 10 minutes at a time, and then went back to take the best 30-second bits to piece it all together. The original version was over twice as long, and we bring some of those crazier sections back when we play it live and for the version of the song that’s in the music video."

Co-produced by the band and James Ford (Arctic Monkeys, Depeche Mode, Shame), 3D Country’s 11 tracks are an explosion in both scope and vision for the group, having released their debut album Projector in 2021, Geese have returned with an entirely different prospect in the shape of 3D Country.

‘3D Country’ fuses recognizable sounds with warped meditations on daily life in a world sliding out of view, Geese repurposing fragments of classic rock into a sound that is stranger and wholly their own. Right out the gates, the album kicks off with serpentine grooves underneath the armageddon visions of “2122,” before quickly ceding to the title track’s gospel-flecked chorus.“Undoer” is a slowburn simmer constantly building to something apocalyptic; “Crusades” travels back to Medieval times but chugs along on a “Heroes”-esque groove before strings swoop in around it. Later, Green and Hudson’s guitars bend and fry while Hudson also jumps in on vocals for an inhuman wail on “Mysterious Love,” and the whole album ends with the sideways piano elegy of “St. Elmo,” playing out like a saloon song viewed through a funhouse mirror.

With a heightened ambition fueling ‘3D Country,’ the band created a bugged-out, wild, unpredictable ride — an almost phantasmagoric reflection of contemporary life. Drummer Max Bassin sums up, “It feels like going to the circus and instead of having a good time, everyone is trying to kill you.”

Pre-Order 3D Country Here.

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